Author Archives: Adam Field

Erika Balsom has curated the section The Secret Mirror, or, the Disappearance ofA.A.A. Offresi as part of the exhibition On…

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Grieve, A. (2025) ‘“She’s connected to my head while doing my hair”: embodiment and Afrofeminist epistemologies in the documentaries of…

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Sarah Cooper, ‘Toward a cinema of multiplicity: Alice Diop’s La Permanence (2016),’ in Contemporary French Civilization, 50: 3, August 2025,…

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Wednesdays, 5-7pm, K2.31 (Nash Lecture Theatre) Semester 1 8th October 2025Mingkun Li (KCL): “Peripheral Official Memory Work: Mediating Third Front…

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Ivone Marguiles’ Keynote Lecture “Both, On the Contrary: Propositions on Akerman’s aesthetic of in-consistency” will open the Chantal Akerman: Adventures…

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Shortlisted for a BAFTSS Practice Research Award 2025, in the category of Best Videographic Criticism. Reverie (2023) lies at the…

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Hosted by the Department of Film Studies and the Un.censor.ing Cultural Heritage Network on 1st February 2025 Depicting life in…

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Chris Berry, ‘North Korean Cinema in China: The Logic of Cultural Exchange’. In The Bloomsbury Handbook of North Korean Cinema,…

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The Prop, by Elena Gorfinkel and John David Rhodes (Fordham University Press, 2025). Hosted by the Barbican Centre, Elena Gorfinkel…

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Elena Gorfinkel and John David Rhodes, Fordham University Press, 2025. What are film props? What do they do? This book…

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Sarah Cooper, ‘Green fingers: Jean Genet’s hands and flowers,’ Screen, Volume 65, Issue 4, Winter 2024, Pages 572–580, https://doi.org/10.1093/screen/hjae044 As part of…

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Jeff Wall: Life in Pictures (White Cube, 2024), with featured essay by Erika Balsom. Published to mark Jeff Wall’s major…

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Vitamin V: Video and the Moving Image in Contemporary Art (Phaidon Press, 2025), with an introduction by Erika Balsom. The…

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