Sarah Cooper, ‘Techno-Flowers: Entwinements of technology and nature in The Birth of a Flower and Little Joe,’ in Screen, 63: 1, March 2022, pp. 1-21, https://academic.oup.com/screen/article/63/1/1/6552050?login=true
Sarah Cooper, “Performing Vulnerability: Hand in Hand with Les Enfants d’Isadora (Damien Manivel, 2019),” in French Screen Studies, January 2022, pp. 1-19, https://www.tandfonline.com/doi/full/10.1080/26438941.2021.2022359
Clarissa Chikiamco, “Different Frequencies: Between Abstraction and Technology in Southeast Asia”, National Gallery Singapore: Nam June Paik Exhibition Site: https://explore.namjunepaik.sg/essays-interviews/different-frequencies-between-abstraction-and-technology-in-southeast-asia/
Daniel Mann, “Red Planets: Cinema, Desert and Extraction,” Afterimage. Vol. 49, no. 1. March 2022. UC Press: https://online.ucpress.edu/afterimage/article-abstract/49/1/88/120349/Red-PlanetsCinema-Deserts-and-Extraction?redirectedFrom=fulltext
Daniel Mann, ‘Welcome of the Real Desert,’ Media+Environment, January 2022. UC Press: https://mediaenviron.org/post/1301-welcome-to-the-real-desert-by-daniel-mann