Kings College London
Film Studies Research
  • Awards
  • Books/Edited Volumes
  • Articles
  • Podcasts
  • Creative Practice
  • Research Seminars
  • Events
Search
17 January, 2022

Recent Articles

Recent Articles
17 January, 2022

Chris Berry “What is Transnational Chinese Cinema Today? Or, Welcome to the Sinosphere,” Transnational Screens 12, no.3 (2021) DOI: https://doi.org/10.1080/25785273.2021.1991644 

Chris Berry, “Jia Zhangke’s Memory Project, 24 City: Rewriting History, Rethinking Historiography,” in Crafting Chinese Memories, edited by Katherine Swancutt (London: Berghahn, 2022), 55-75. 

Chris Berry, “Introducing Taiwanese-Language Cinema in Europe,” International Journal of Taiwan Studies 4 (2021): 377-386. 

Elena Gorfinkel, “Catalogue essay on “The Bed (1965),” The Films of Andy Warhol Catalogue Raisonne: 1963-1965, edited by John Hanhardt (New Haven: Yale University Press, 2021). https://yalebooks.yale.edu/book/9780300260113/films-andy-warhol-catalogue-raisonne

Elena Gorfinkel, Eyes of Laura Mars essay in “Fatal Attraction” Criterion Collection: The Current  (November 17, 2021). https://www.criterion.com/current/posts/7607-fatal-attraction-women-on-the-serial-killer-movies-that-thrill-them

Elena Gorfinkel, “The last things before the last,” The Liberated Film Club, edited by Stanley Schtinter (London: Tenement Press, October 2021).

Christopher Holliday, “Rewriting the Stars: Surface Tensions and Gender Troubles in the Online Media Production of Digital Deepfakes.” Convergence: The International Journal of Research into New Media Technologies 27, no. 4: The Digital Face and Deep Fakes on Screen (2021): 899-918.

Christopher Holliday, “Old Dog, New Tricks”: James Bond’s Digital Chaos.” The International Journal of James Bond Studies 4, no. 1 (Spring 2021): 1-24.

Belén Vidal, “New Women’s Biopics: Performance and the Queering of Herstor/ies”, European Journal of Life Writing  Vol. 10 (2021), 17-40. DOI:  https://doi.org/10.21827/ejlw.10.37911

Belén Vidal,  “Amor a Contratiempo: C​ortometraje y Cinefilia Transicional”, en Una cultura cinematográfica en transición. España, 1970-1986, edited by Fernando Ramos Arenas, (Valencia: Tirant Humanidades, 2021), 161-197.Website: https://editorial.tirant.com/es/libro/una-cultura-cinematografica-en-transicion-espana-1970-1986-fernando-ramos-arenas-9788418614941

Ginette Vincendeau, “A Woman’s Truth.” In The Complete Films of Agnès Varda (Criterion Box-Set, 2020). Available at https://www.criterion.com/current/posts/7047-a-woman-s-truth

Ginette Vincendeau, “La Haine Video Essay.” Screen25 (2021). Available at https://www.youtube.com/watch?app=desktop&v=lbDqAEOEc04

Latest posts

  • Exhibition section ‘The Secret Mirror, or, the Disappearance of A. A. A. Offresi’ curated by Erika Balsom
  • Alexandra Grieve, ‘“She’s connected to my head while doing my hair”: embodiment and Afrofeminist epistemologies in the documentaries of Rosine Mbakam’
  • Sarah Cooper, ‘Toward a cinema of multiplicity: Alice Diop’s La Permanence (2016).’
  • Film Studies Research Seminars 2025-2026
  • Professor Ivone Marguiles, BFI Key Scholars Lecture at Chantal Akerman: Adventures in Perception Symposium, in Partnership with Department of Film Studies, King’s College London

Upcoming events

No event found!

Upcoming Research seminars

No event found!

Main King's College London site

King's College London Film Studies Department

© King's College London.